In Washington DC two days before Thanksgiving (ten minutes before looking at my watch and making a mad dash for the train station), I saw a collection of photos at the Hirshhorn, “Geographical Analogies” by French photographer Cyprien Gaillard.
They’re Polaroids. Squares of wall or plant or architectural corner—mostly texture or shape, though sometimes scrawled graffiti or a word appears—arranged in diamonds of four or eight.




